House Of Love – I Don’t Know Why I Love You
F.S.K. – My Funny Valentine
Attila The Stockbroker – Valentine’s Day
Slits – Love And Romance
Mekons – Where Were You
Magazine – Cut-Out Shapes
Dub Syndicate – No Bed Of Roses
Wolfgang Press – Mother Valentine
Monochrome Set – Eine Symphonie Des Grauens
Mountain Goats – Love Love Love
Shriekback – Hand On My Heart
ACR – The Big E
Calvin Party – Words Of A Great Man
Hunters & Collectors – Throw Your Arms Around Me
Tindersticks – I’ve Been Loving You Too Long
Broken Family Band – Seven Sisters
The Mekons – Heart of Stone
In which the one-time punks tackle an early ‘Stones single. Low romance quotient, but chillingly effective, with female vocals to twist things about a bit.
Agnes Obel – (I Keep a) Close Watch (John Cale cover)
It befuddles me why the usually adventurous John Cale performed (I Keep A) Close Watch like an Elton John ballad. Nothing wrong with Elton, but his ballads are all kind of the same. Now this, with the interplay of the Danish Obel’s piano and breathy voice fully realizes the majesty of what is, at heart, a beautiful composition.
Nelly Furtado – My Love Grows Deeper
From the Whoa Nelly! Album. Nice little song with some unexpected influences from a pop diva, which as we know, is not the sum of our Nelly’s musical vocal talents.
Roddy Frame – Reason For Living
One I turn to when I need reminding that things aren’t always so bad… I just find this euphoric – and love that it’s actually sung in a register I can (just about) holler along with!
Julieta Venegas – Eres Para Mí
Singer-songwriter Julieta Venegas brings long drawn out Mexican phrasing and vowel sounds to more modern genres with remarkable success. Her lyrics mix poetic imagery with a hint of mischievousness – here she tells us “The wind has told me – you’re the one for me.”
Linda Lyndell -What A Man
Salt-N-Pepa sampled this & polished it into an irresistible hit in the 90s. When it was first released in 1968, Linda Lydell received so many death threats from the KKK that she soon retired from the scene. Damn shame, ’cause she really could growl (maybe that’s what scared those crackers).
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