I never know what to expect from Earworms, and today is no exception. Goneforeign’s contribution seemed an apt choice this week as the Sharpeville Massacre occurred on 21 March 1960, so we’re nearly at the 55th anniversary. Ian Dury kinda fits. The Precinct of Sound and Blacks/Radio are tenuously related as are The Furs’ A-bomb hairdo and the Cure’s Grinding Halt. And Neil Finn is just class. Enjoy! And keep the worms coming to email@example.com. Thank you.
The Cure – Grinding Halt – severin: I was reminiscing on Facebook recently about how obsessed I was with The Cure in 1979. I think I saw them four of five times that year before their first album was even out. Bought it on release, played the thing to death, then didn’t buy any of their subsequent recordings (apart from Love Cats) until around 2010 when I started the long process of catching up. Loads of great music since those days, of course, but this still sounds as startling to me as it did 36 years ago.
Ian Dury – Blackmail Man – tincanman: Ridiculing racists (how timely is this for British politics?) by assuming the role of a black male, man. Chocked full of rhyming slang that would make a fishwife blush.
The Psychedelic Furs – Blacks/Radio – AlBahooky: A band I’d forgotten about for many years, probably ’cause they were a kind of VU/Bowie-lite, BUT I am still partial to the 1st eponymous LP which this tune is taken from and was strangely omitted from the US version.
Dub Syndicate and Andy Farley – The Precinct of Sound – shoegazer: Another from the Dubtronica series.
The Reggae Philharmonic Orchestra – Sharpeville – goneforeign: In 1988 I wandered into a huge record store at the foot of Regent street and therein I came across an album by the Reggae Philharmonic Orchestra: I’d never heard of ‘em but it was a wonderful surprise; classical reggae. The group were all young classical musicians who loved jazz and they decided to write and record an album, this is from it. If you’re not clear on the title, google it.
Neil Finn – Billie Jean – deanofromoz: Another unlikely cover (but from a different radio station compilation this time) with Crowded House lead singer Neil Finn giving a breathtaking acoustic take on the Michael Jackson track.