HEART OF SATURDAY NIGHT – INTERNATIONAL REGGAE.

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Funny thing is that when I had my radio show I never wanted to hear the air checks, as soon as they were done I labeled ’em and filed ’em and never gave them another thought. Now 20-30 years later I’m going through them and listening to every one and they’re wonderful, that is the music is wonderful and it brings back so many memories. I usually listen in the early hours and frequently I find myself thinking ‘This would be great for the Spill’ but often lethargy strikes and I wonder how many would listen to them anyway, I played lots of jazz and blues, Ah to hell with it.

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K.I.D. wants to know

‘Spill nation! My boys have formed a band named K.I.D.

Here is their first single and the accompanying video…

Here is my question. They think they like dubstep. I was trying to play some actual dubstep for them, but I don’t for the life of me know what it actually is. I’d like to make a playlist to play for them, with the help of the ‘Spill collective’s knowledge. Help us, ‘Spillers, Help us!

Here’s a link to a spotify list, if you’d like to contribute, or you can link to a viddy, or whatevs.

Yoruba Hat trick!

The language Yaruba has only been mentioned twice ever on The ‘Spill and both times by GoneForeign, so this one’s for you (if you don’t know them already of course). Ibeyi sing in English and break into Yaruba at various points, when I heard this on the radio I felt the need to find out more about it, which usually means cross-referencing with The ‘Spill. I like the modern jazz/electronic styling and the lack of warbling in the singing. Further research (hi Wikipedia!) shows they’re the twin offspring of a Beuna Vista Social Club member and indeed Ibeyi means ‘twins’.

Fears and the Funk

I fear that Mark Ronson’s recent mega hit may have opened a door to five following years of awful funk funking up the place like a bad funk. A door that cannot be shut easily. What point am I trying to make? Maybe that it’s that I don’t really like funk, or that the majority of funk in the world hasn’t been the best. Maybe I don’t think about funk very often. I suppose everything’s like that anyway, we just need to find the 5% that’s good, or 1% even.  Maybe bad things have been done to funk, similar to the horrific abuse of the poor saxophone in the ’80s. Who’s got the funk? Not me.

Lonelady, on the other hand, has cowbell and spanking bass mixed with a taut post-punk edge and ridiculously catchy 80sesque (bunker) pop melodies. Half of her LP “Hinterland” is full of massive bangers that Prince would have been proud of. Love it. Maybe I do have the funk.

**Edit** GF asked about Spotify working embedded in posts, so I’m testing it here, with the Lonelady album.

REMEMBERING SAM CHARTERS AND BIG BILL BROONZY

Cover A guy who was significant for me in my youth died last week, his name was Samuel Charters, he was a blues and jazz historian. There’s an interesting daily interview program on the radio here, it’s ‘Fresh Air'; a couple of days ago they played an interview with him from the archives.
He, along with Alan Lomax, was researching southern country blues in the ’40’s, recording totally unknown blues artists on primitive tape recorders long before Eric Clapton, Keith Richards and John Mayall et. al. were out of short pants. One memorable album was ‘Blues in the Mississippi Night’ by Lomax, used copies are now going for close to $100 at Amazon, it was my first blues album and it went the way of all the others come the divorce. I hope my ex wife is still computer illiterate.

During the interview he mentioned getting a contract with Folkways records, one of my early favorites, this prompted me to pull several early blues from my collection to see if his name was on any of them. One of them was ‘Big Bill Broonzy sings Country Blues’ on Folkways from 1957, he’s also interviewed on the record by Studs Terkel.
I’ve mentioned meeting Big Bill hereabouts and this LP relates directly to that.

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