Today Bob would have had his 69th birthday, I have a hard time imagining Bob being 69. He was always so young and vigorous and he always had so much to say. And what he said touched so many people around the world, everywhere I’ve travelled there was always evidence of Bob Marley, on posters, T shirts, murals on walls, his music coming out of doorways and from radios, he was and is everywhere; the universal man. His music will last forever.
Bob literally changed my life, everything changed when I bought his first album, ‘Catch a Fire’ in 1972. To that point I’d been listening to jazz and pop, I suddenly discovered reggae and it was infectious. I spent the next decade always looking forward to his next album and his next tour. I saw him four times and the highlight was the 1976 Roxy show in LA, a small club packed to the gills and Bob was onstage about 10ft from the table where I was sitting. It was the most amazing and intimate musical performance ever. I’m including the encore of that performance in the playlist, if you haven’t heard it you should listen, I never heard the Wailers play that way again and I have most of his concert aircheck tapes.
Here’s a selection of his music, some spiritual, some Rasta, some love songs, some everyday life songs and a couple of cuts that some might not have heard, first the Roxy encore, ‘Get up, stand up’ and an acoustic set of Bob sitting on a hotel bed in Sweden playing a medley for his own enjoyment with just an acoustic guitar. When I had a radio show I did at least one special every year devoted to Bob, either on his birthday or the anniversary of his death, let’s continue that tradition.
And give thanks to Ari for her tech support.

Here’s the playlist.

1. One Love.
2. I’m hurting’ inside.
3. Waiting in vain.
4. Natural Mystic.
5. Time will Tell.
6. Is this Love.
7. I’ll be forever loving Jah.
8. One Drop.
9. Rastaman live up.
10. Give thanks and praises.
11. Jah would never give the power to a baldheaded.
12. Acoustic Medley.
13. Get up, stand up, Roxy encore.

The Heart of Saturday Night

The photos are of some of the featured artists, they are: Lloyd Parks, Junior Marvin, Bo Peep, Dean Fraser with the Ras Brass, Burning Spear, Pablo Moses, Mutabaruka, Puma Jones, Joe Higgs. They’re supposed to get larger if you click on ‘em.

Over the years I’ve been tempted many times to post reggae playlists here but somehow apathy seemed to get in the way. Reggae was an obsession with me for about 20 odd years, basically throughout Bob’s musical career, consequently I accumulated a fairly large collection plus I visited Jamaica regularly, sometimes several times a year. I was always involved with Jamaican culture and music throughout this period. After I retired and moved to northern California I became a DJ on the local NPR radio station, every Saturday night from midnight ’til 2am for 7 years. I had a total free hand to play anything that I wanted and I’d mix it up with jazz, reggae, blues, African etc. I taped every show, labelled ‘em and tossed ‘em into a box with dozens of others, there was never any attempt to organize them or even to listen to them.
However, I recently got the urge to reorganize the upstairs room where anything and everything had been pushed out of sight over the years, therein I found dozens of boxes of tapes, literally well over a thousand, so I installed about 40 ft of shelves and started organizing them plus all the other media up there. The results have been wonderful! I’m now replaying not only my airchecks but also the results of obsessively having a recorder with a blank tape in it attached to my radio at all times; I’ve got the cultural history of the last half of the 20th century on tape and it’s amazing listening to it all again. I listen on earbuds in the early hours when I can’t sleep, it’s the best time of the day.
Last week I played a cassette of my radio program from the 90’s, my show was called ‘The Heart of Saturday Night’, and this one was a reggae program. I enjoyed it so much that I thought I’d play it here for anyone who’s interested, it’s almost two hours, I edited out a couple of PSA’s that were of no interest and split the program into two sections.
So call it a playlist, a blog or a radio program, take your pick, use it as background while you do the dishes or whatever. I hope you enjoy at least some of it.

Here’s the playlist.
part 1
1. Sharpville by ‘The Reggae Philharmonic’.
2. What a Joy by ‘Black Uhuru’.
3. Iron Sharpeneth Iron by ‘Culture’.
4. Freedom Song by ‘Third World’.
4. A Song by ‘Pablo Moses’.
5. War inna Babylon by ‘Max Romeo’.
6. Country Boy by ‘The Heptones’.
7. Roots Train by ‘Junior Murvin’.
8. Flashing Whip by ‘Jah Lion’.
9. Coming on Strong by Prince Jazzbo’.
10. ‘Skank in Bed by ‘Scotty & Lorna’.
part 2
11. The Existance of Jah by ‘Dennis Brown.
12. Love and Devotion by ‘Jimmy Riley.
13. There’s a reward for me by ‘Joe Higgs.
14. Marcus Garvey by ‘Burning Spear.
15. Peace, Love and Justice by ‘Ras Michael.
16. The Same Song by ‘Israel Vibrations.
17. I am that I am by ‘Peter Tosh.
18. Jump Jump by ‘Bunny Wailer.
19. Redemption Song by ‘Dean Fraser.
20. The System by ‘Mutabaruka.
21. White Man Country by ‘Mutabaruka.
22. When you Remember by ‘Mutabaruka.


flag copy

There’s only one reference to Jesus in my iTunes folder. that’s Jesus on a Greyhound by Shelby Lynne, whereas there’s 29 where the first word is Jah.  Jesus is not of any interest to me musically or otherwise but when I became involved with reggae I quickly realized that it was a socially conscious music with a strong Rasta religious component. I’m very interested in the music and in Rasta but I must say that I have a hard time with the Selassie/Jah  reverence but I accept it and I enjoy the music as much as I enjoy a lot of European religious music, in most cases having no idea what the songs are about but appreciating the overall sounds, case in point, Faure’s Requiem.

Having said that let me offer a sample of alternate variations on the theme of Jesus Jah is Jehovah, Jehovah is Yarwey from the Hebrew old testament, many Rasta believe that Selassie is the second coming of Christ and they accorded him the name Jah Ras Tafari. Here’s some Jamaican songs of praise.

1. Jah Live – Bob Marley

2. Rivers Of Babylon – Ronnie Davis

3. Nyah Bingi – Jimmy Riley

4. Hold On To Jah – Reggae George

5. A Yah Weh De – Barrington Levy

6. Give Thanks – Johnny Clarke

7. Jah Jah Give Us Love – Cornell Campbell

8. Give Thanks And Praise – Bob Marley

9. Have Faith In Jah – Michael Palmer

10. Praise Jah With Love And Affection – Don Carlos

11. Jah Praise – The Maytones

12. Jah Oh Jah – The Viceroys

13. Forever Loving Jah – Bob Marley



There was a post here recently concerning famous people that you’ve met etc. It made me think about lots of reggae personalities but Toots Hibbert in particular. I’ve seen Toots perform dozens of times over the years and we became friends, he’s an amazing guy and probably rates as my favorite musical personality. Here’s a couple of anecdotes that’ll give you some insight into the man.

1. I bumped into him in Kingston one day and we stood there chatting, he told me that he was going into he studio at Federated records the next day to start recording his new album and if I’d like to come I’d be welcome. I arrived mid morning and Toots and all the guys were sitting outside on a bench in the sun, I asked him ‘What’s happening’ and he told me that his drummer had just received in the post one of these new electronic drum machines [this was early '80's] and he was trying to figure out how to program it; we all just sat and waited. This went on and on and finally about 3pm I told him that I had to leave, too bad, I didn’t get to hear any of the new tunes but I had lots of conversation with Toots and many of the musicians and the Maytals.

2. I often found myself in Toots dressing rooms either before or after shows, there was one occasion, I think it was an all-day reggae festival at the UCLA Pauley Pavillion, Toots was the headliner and was due to go on last. It was about 10.30 pm and one of the promoters stuck his head in the door and said ‘Toots, you’re up next’, Toots replied ‘You need to talk with my manager, I’m not going on until I get my money, and I mean in cash, no cheques!’
The promoter didn’t know what to do, he said ‘We don’t have that sort of cash’, Toots said ‘Talk to my manager.’ The word came back to us that they were frantically counting out the money from the 5 box offices at the stadium, the figure I remember was $30,000 and the were counting it out in fives, tens and twenties. About midnight the manager came in and said ‘OK, we’re all set’ and so Toots went on and did his usual great 90 minute set. Been burned too often.

3. Another time I was in his dressing room before a show and it was fairly crowded, probably twenty odd people there, all talking, drinking and smoking. At some point his manager stood on a chair and said ‘We’re going to have to clear this room, Toots needs to get ready and he’s on in half an hour’, I was sitting on a settee next to Toots and I stood up as everyone streamed out, Toots put his hand on my arm and said ‘No, not you, you stay’, so I sat back down and we continued talking. At some point he said ‘OK, I need to get dressed’ and he stood up and stripped down to his shorts. His clothes were laid out on a table and he picked up the trousers, a pair of very fine, very thin black leather, ‘Give me a hand with these’ he said, they were very tight fitting and had a lace-up down the back, ‘Pull that as tight as you can get it’ he said. Next on was a matching leather sleeveless vest that was open down the front, he then put of a metal belt that looked just like one of those that are awarded to boxing champions and finished it all off with a gold pendant. He then put on a pair of tight black boxing boots that I laced for him ‘cos with those tight pants he could no longer bend down far enough. Now he was ready!
Toots is not a big guy but he’s very fit and very athletic, he looks about like a bantam weight boxer and that’s what came next. The room was a decent size and there was a table in the middle, Toots started jogging around that table dodging and weaving and throwing punches just like a boxer in training, he kept this up for maybe 5-10 minutes until the sweat was pouring off of him. About then the door opened and the stage manager said ‘Mr Hibbert, you’re on’ and Toots without breaking his step went straight out of the door, down a corridor and up some steps to the side of the stage with me running right behind him. The stage door was open, the band were playing his opening number and the announcer was doing his ‘Give a warm welcome to Toots and the Maytals routine’ as Toots raced to the mic and into his opening routine.

I posted this youtube video a couple of weeks ago but I’ll post it again here and you’ll recognize the outfit that I just described and also the energy level that Toots brings to his performances.

Here’s a bit of trivia.

There was a piece last week in the Huffington Post, it was about the house that Bob Marley grew up in in Nine Miles in St. Anne parish and how it influenced his music. They published a picture of it, here’s their picture.
bobs house - huff

I was there in about 1982, here’s my picture of it:

The guy in the picture told me about when Bob lived there and that the painted stone is the one mentioned in Talking Blues.
Compare the two buildings, look at the slope on the ground in the Huff pic, look where there doors are, look where the outside toilet is, look at the stonework, it’s a total fraud and Huffington makes it impossible to contact them to point out the fraud. Take Huff Post with a pinch of salt.
Here’s Talking Blues, and here’s the lyric:

Yeah, oh yeah, no!
Cold ground was my bed last night
And rock was my pillow too
Cold ground was my bed last night
And rock was my pillow too, yeah

Sunsplash 1982 – Montego Bay, Jamaica.

lloydLloyd Parks, one of Jamaica’s hottest bass players and leader of ‘We the People’, the onstage group backing many of the artists in this playlist. I became obsessed with reggae in 1972 with the release of Bob Marley’s first album, ‘Catch a Fire’ and the almost simultaneous release of the Jimmy Cliff film, The Harder they Come. It was not easy to find reggae in California in those days but the audience slowly built so that by the early 80’s there was a decent sized group of us that had become friends as we’d  regularly met at the various reggae events. Tom, one of that group ran a travel service and he had the brilliant idea of offering a group price for those of us that would like to go to Jamaica for the new event there, ‘Reggae Sunsplash’ in Montego Bay. The price included airfare and hotel plus a 2 day stay at a luxury beach resort in Negril, we grabbed at it so fast that he had a planeful in no time. It became an annual event. Sunsplash was a four day event, it ran from Wednesday through Saturday, theoretically from 8pm ’til midnight at Jarrett Park, a cricket ground. On my first day there I was walking in town and I saw a sign over the door of an outer office at a hotel, the sign said ‘Sunsplash Media Office’; I decided to take a look. I’d always photographed every reggae event and I gave my friends who ran a small LA based magazine called ‘The Reggae Beat’ free access to any they wanted plus I wrote an occasional piece for them. There was a lady sitting at a desk in the media office, when she saw my Nikon plus my camera bag she asked ‘Who are you shooting for?’ I said ‘The Reggae Beat’ in LA and that was all it took, she filled out a form, added my name to her list and handed me one of those ‘All Access’ passes that you hang round your neck plus a dozen free tickets! The best part of all was that I was now on their books and known and for the next 10 years I always had an ‘All Access’ pass without even asking! And I returned every year through the ’80’s. As I mentioned Sunsplash ran four nights, never from 8-12 but usually from 11-12 until past dawn, usually about 7-8am!  With six to eight acts per night times four, that equals approx 50 per year, times ten, well you figure it out, but what it came down to was that over the decade I probably saw 99% of all of Jamaica’s reggae artists and as a result of all that back stage access I got to know many of them! And I have literally thousands of photos to show for it. I started out to do this as a podcast with a narrative track but the way I edited the music it would be intrusive so instead I’ll treat it as one long playlist.

Here’s a list of the artists in sequence.

1. John Holt – Sweetie come brush me,

2. U. Roy – Wear you to the Ball tonight.

3. Big Youth – Every Nigger is a Star.

4. Toots and the Maytals – Pressure Drop.

5. Judy Mowatt – Black Woman.

6. Gregory Isaacs – Oh what a Feelling.

7. Eric Donaldson – Sweet Jamaica.

8. Alton Ellis – I’m still in Love. 

9. Dennis Brown – It’s Magic.

10. Big Youth – I Pray Thee Satta Masagana.

11. U. Roy – Rule the Nation.

Sunsplash 82

There’s quite a few videos of Sunsplash ’82 at youtube, if you go to the one of Toots  and pause it at 28 seconds, the handsome chap with the red, gold and green cap slapping hands with Toots, that’s me!