New Snarky Puppy album

Described as “led Zep meets P-Funk” in a recent review, here’s the flagship video release from Snarky Puppy’s new, live recorded album We like it here. An astonishing level of coherence, fantastic control of dynamics, compositional complexity and damn funkiness characterise this band’s performances, which just get better and better.
They are on tour in Europe again this year, unmissable for anyone with the slightest interest in the funkier side of the musical spectrum.

1971

He’s Gonna Step On You Again – John Kongos
Freedom To The People – The Heptones
You Know You know – Mahavishnu Orchestra
Dig Deep In Your Soul – Bobby Boyd Congress
Feel Flows – The Beach Boys
The Lady With The Braid – Dory Previn
People Make The World Go Round – The Stylistics
Continue reading

1961

 


Rahou – Fairuz
Song To Woody – Bob Dylan
Kadia Blues – Orchestre De La Paillote
Fever – La Lupe
Love For Sale – Barney Kessel
My Favorite Things – John Coltrane

Post-Black Metal

Now, I DO love a good sub-genre, so imagine my excitement over the last few years as i’ve slowly watched the merging of two of my favourites; Black Metal and Post-Rock into the beautiful beast of a sub-sub-genre that has finally been named Post-Black Metal. It takes the lo-fo production, dark atmospherics, and often the anguished howls of Black metal and combines them with a lot of instrumental workouts, Mogwai-style quiet/loud dynamics and even some very prominent shoegazey moments. The bands themselves also eschew the traditional corpsepaint and spikes in favour of the beardy indie bloke look.

I started noticing it a few years ago when some wags starting referring to US Black metal types Wolves In The Throne Room as “Grey Metal” for being all metally and black, but you know, kinda nice at the same time, with lyric sheets dealing in environmental meltdown etc, they read more like a Guardian Saturday supplement than an extract from the Marquis De Sade’s undiscovered even more hardcore, “De Sade Nights” script! And, I finally found a special feature in Terrorizer magazine a couple of months ago, giving the sub-sub-genre it’s name, which I wasn’t aware of before.

I apologise for being about six months too late with this post as a lot of the leading bands in the scene (a large proportion of which seem to be French for some reason) have jumped the shark somewhat in my opinion, releasing recent albums that have acoustic guitar and like, real, proper singing, which is just going too far.

Continue reading