Described as “led Zep meets P-Funk” in a recent review, here’s the flagship video release from Snarky Puppy’s new, live recorded album We like it here. An astonishing level of coherence, fantastic control of dynamics, compositional complexity and damn funkiness characterise this band’s performances, which just get better and better.
They are on tour in Europe again this year, unmissable for anyone with the slightest interest in the funkier side of the musical spectrum.
Fantastic cover version of a seventies disco classic by Heatwave, off the new Vijay Iyer album. Iyer’s trio retains the romance of the theme, but introduces an off-kilter focus which resolves into a storming riff.
Here’s the dreamily perfect original for comparison.
Friends of mine in Auld Reekie have been banging on about the city’s own Hidden Orchestra for a wee while now. Ach! I feel like the 12 for 2012 has just turned into The Mercury Prize due to the inclusion of this one, the “token jazzy” one….*sigh*
He’s Gonna Step On You Again – John Kongos
Freedom To The People – The Heptones
You Know You know – Mahavishnu Orchestra
Dig Deep In Your Soul – Bobby Boyd Congress
Feel Flows – The Beach Boys
The Lady With The Braid – Dory Previn
People Make The World Go Round – The Stylistics Continue reading →
Now, I DO love a good sub-genre, so imagine my excitement over the last few years as i’ve slowly watched the merging of two of my favourites; Black Metal and Post-Rock into the beautiful beast of a sub-sub-genre that has finally been named Post-Black Metal. It takes the lo-fo production, dark atmospherics, and often the anguished howls of Black metal and combines them with a lot of instrumental workouts, Mogwai-style quiet/loud dynamics and even some very prominent shoegazey moments. The bands themselves also eschew the traditional corpsepaint and spikes in favour of the beardy indie bloke look.
I started noticing it a few years ago when some wags starting referring to US Black metal types Wolves In The Throne Room as “Grey Metal” for being all metally and black, but you know, kinda nice at the same time, with lyric sheets dealing in environmental meltdown etc, they read more like a Guardian Saturday supplement than an extract from the Marquis De Sade’s undiscovered even more hardcore, “De Sade Nights” script! And, I finally found a special feature in Terrorizer magazine a couple of months ago, giving the sub-sub-genre it’s name, which I wasn’t aware of before.
I apologise for being about six months too late with this post as a lot of the leading bands in the scene (a large proportion of which seem to be French for some reason) have jumped the shark somewhat in my opinion, releasing recent albums that have acoustic guitar and like, real, proper singing, which is just going too far.
My latest post-jazz post features a French based, Korean singer whose new album is doing well in the French jazz charts (though it received a lukewarm reception in the Guardian).
It’s de rigueur for post-jazz artists to cover grunge or metal hits, and I think Youn Sun Nah delivers one of the best recent efforts, stripping this song back to its skeleton to focus on the quite decently creepy lyrics, and indulging in some tasteful Purim-esque screaming midway through.
OK, here’s the beginnings of chapter one. I asked Maki to give me his list of instructions for posting music and then I added my thoughts and re-wrote it all, hopefully in a manner that’s foolproof. I’ve tested this and it worked. If this is acceptable we’ll continue and add instructions for posting titles, artists, pictures, videos, youtubes, text, links etc, plus posting links, pics and music into the comments area. For the benefit of potential new users or current ones who’re not clear about Dropbox I thought it would be helpful to start there.
Before I start to try to do a posting for the Spill I find it useful to place all my MP3 music cuts, JPG pictures and pre-written text into a labeled file on my desktop, it makes it easier later on. There’s another advantage to this, you’ll be copying & pasting http code for each cut into the ‘new post’ page at WordPress, it’s handy to also paste it into this folder for reference in case you need to come back to it, WordPress has been known to cause frustration by occasionally not not playing by the rules and it’s handy to have those html codes handy if you need to start over.
Begin by registering with Dropbox, [https://www.dropbox.com/home#:::] thereafter you’ll be asked to log in. You can upload music to Dropbox and anything you upload will be kept in your ‘My Dropbox’ file, next to that you’ll see ‘Public’: to use music on the Spill you need to have it in the Public folder so transfer it from your dropbox into Public. If you’re considering multiple cuts it’s a good idea to keep them in a labeled folder.
Having got this far, now click on one of your titles in Dropbox and you’ll notice a blue downward arrow off to the right, click on this and you’ll see a dropdown menu that has ‘Copy Public Link’ as one of it’s options, click on this and a window will open that contains a line of http code with an option to ‘copy to clipboard’, do so.
Now open WordPress [you may be required to log in] and on the left you’ll see a column that includes ‘Posts’ and below it ‘Add new’, click on that. A window will open that contains a rectangle with ‘Visual’ and ‘HTML’ at the top right corner, choose HTML. Now is the time to decide how you want your post to look, ie the placement of text, pictures and music, for now lets say that the music player goes at the bottom and you’re only having one tune. Type
If you now click on ‘Preview’ [top right] you should see a player icon situated at The Spill which if you click it should play your tune!
If you want to add more tracks:
1. Do not close the player – ignore the bit about closing the code with another square bracket.
2. Place a comma and a space after the first code.
3. From the public folder in Dropbox click your second piece of music and repeat the instructions above re. copying and pasting it into WordPress.
4. Paste it immediately after the comma after the first code, add a comma and a space and repeat ad-nausium ’til you have all the music cuts pasted.
5. When you have added the last html code don’t add a comma, just close it with a square bracket.
6. For 5 cuts it should give you a player that looks like this:
All these commas, spaces and square brackets are crucial, miss any one of them and you’re doomed to failure.
This is just another test, though a bit more ambitious than my last efforts. Since I’d succeeded with Maki’s and Tin’s help in getting both an image and a tune up, I thought I’d try for a slide show. Irises are in full bloom right now and will be for another month, these are some from my garden and of course the vocal is by Ella, though she seems a bit slow to start. I was overcautious re. the image sizes, I could have made them larger so they’d fill the space.
As a possible reply to Blimpy’s recent Polar Bear post, here are cover versions of Ronnie Foster’s Mystic Brew and M.I.A.’s Galang by Vijay Iyer’s piano trio from their new album, Historicity. I wouldn’t necessarily call it post jazz, but it’s certainly exploring new ground, and I like it a lot.I also like the way Vijay apparently first heard the Ronnie Foster track as a sample in ATCQ’s Electric Relaxation.
New genre, or ridiculous pigeon-holing? Ever since the bizarre categorisation of Post-Rock took hold, it seems that nothing is safe from the prefix. I really like this track by Polar Bear but I can’t embed it on our blog, hence the other video above (both from the same LP “Peepers”). I’d like to know what the hardcore ‘Spiller Jazz fiends make of it all?