Described as “led Zep meets P-Funk” in a recent review, here’s the flagship video release from Snarky Puppy’s new, live recorded album We like it here. An astonishing level of coherence, fantastic control of dynamics, compositional complexity and damn funkiness characterise this band’s performances, which just get better and better.
They are on tour in Europe again this year, unmissable for anyone with the slightest interest in the funkier side of the musical spectrum.
Django Django come across like the little brother of The Beta Band, in fact one of them is the actual little brother of one of The Beta Band. This tune, “Default”, is all the excuse you need to strut around the room like a demented chicken, and bodes well for their long-time-coming debut LP.
He’s Gonna Step On You Again – John Kongos
Freedom To The People – The Heptones
You Know You know – Mahavishnu Orchestra
Dig Deep In Your Soul – Bobby Boyd Congress
Feel Flows – The Beach Boys
The Lady With The Braid – Dory Previn
People Make The World Go Round – The Stylistics Continue reading →
Bonita Applebum – A Tribe Called Quest
Cherry-Coloured Funk – Cocteau Twins
Groove Is In The Heart – Deee-Lite
Welcome To The Terrordome – Public Enemy
Sons & Daughters – Neville Brothers
Black Boys On Mopeds – Sinead O’Connor
Elli Shatr Enhaa Tgannen – Samir Ali & Sahar Hamdy
Only Love Can Break Your Heart – Saint Etienne
Namlhanje – Abdullah Ibrahim
Laughing At Me – Alice Cooper
Mahlalela – Letta Mbulu
Viva Tirado – El Chicano
You Never Come Closer – Doris
Metamorphosis – Ananda Shankar
The Ghetto – Donny Hathaway
Mama Told Me Not To Come – Three Dog Night
Like Black Flag beating Muse to death in a back alley, while James Brown holds the coats – Your Loyal Subjects have come to pummel your ears and face into the ground before holding the whole sordid mess in front of a mirror for contemplation.
“Subjection” has some of the best, most dynamic, face melting riffage that I’ve ever heard, and with incredibly intelligent political/ personal lyrics thrown in for good measure. Loud guitars and loud drums are one of life’s sheer visceral pleasures, and this LP has them in spades, as well as more funk than George Clinton’s trousers after he’s worn them for a month.
YLS have been a staple of the Edinburgh underground music scene for ages, and make more noise than every other Edinburgh band combined – at a recent gig of theirs, halfway through their set, the sheer metal racket they made attracted a pack of half naked vikings in from the street (they proceeded to stage dive, lick their own sweat off the walls, and pretty much smash the whole place up).
A small representation of New Orleans and Louisiana music, mostly by artists from the area, inspired by Treme and a funeral I attended where the body was introduced by a New Orleans style band, featuring Crescent City legends such as Allen Toussaint, Louis Armstrong, Jelly Roll Morton and the Nevilles a few of the tracks here are N.O. songs by outsiders, sometimes N.O. songs by local folk. There’s a wider selection in the ‘box:
West End Blues – Louis Armstrong
Shag – New Orleans Feetwarmers
Climax Rag – Jelly Roll Morton’s New Orleans Jazzmen
Petite Fleur – Chris Barber
New Orleans (The Rising Sun Blues) – Leadbelly
Basin Street blues/When It’s Sleepy Time Down South Medley – Louis Prima
Big Chief – Professor Longhair
Ya Ya – Lee Dorsey
Free, Single And Disengaged – Huey “Piano” Smith & His Clowns
Goin’ Down – Allen Toussaint
Handa Wanda – Bo Dollis & The Wild Magnolia Mardi Gras Indian Band
Bouncin’ Back (Bumpin’ Me Against The Wall) – Mystikal
Hook ‘N’ Sling, Pt. 2 – Eddie Bo
Pop, Popcorn Children – Eldridge Holmes
Gossip – Cyril Neville
Chicken Strut – The Meters
Cold Bear – The Gaturs
Right Place, Wrong Time – Dr. John
Crazy Cajun Cakewalk Band – Redbone
The Flood – Eilen Jewell
Louisiana 1927 – The Neville Brothers
La Vieille Chanson de Mardi Gras – Cedric Watson
Cryin’ In The Streets – Buckwheat Zydeco
Also, GHE was asking if anybody has any recommendations as to music venues /local performers to try and see when he visits the city in October.
It’s been one of those bank holiday weekends – four gigs in four days, which I think is the greatest amount of music in the shortest time I’ve ever done outside of a festival.
Things started a day early on the Thursday, with The Reasoning at The Met Theatre in Bury. Support band Morpheus Rising are a five piece band shamelessly citing the 1980s NWOBHM as a principle influence, now reclassified as hard rock following boundary changes. Entertaining high energy stuff.
I’d seen The Reasoning a week earlier in London, where a very poor sound mix really hadn’t done the music justice, and the performance suffered badly as a result. Tonight was far, far better. Bury Met is always a great gig whoever is playing, and The Reasoning I know and love were back with a vengeance, now expanded to a seven-piece with new members Jake Bradford-Sharp on drums, ex-Fish keyboard player Tony Turrell and vocalist Maria Owen. The new album “Adverse Camber” features heavily, which takes a slight step back from prog-metal in favour of some elements of the atmospheric melodic music that Rachel did with Karnataka. Not that the twin guitar attack of Dylan Thompson and Owain Roberts doesn’t still rock hard plenty of times, but the overall effect is to make their live set a lot more varied and multi-dimensional, which cannot be anything other than a good thing.
On Friday I travelled down to Cardiff to see Hawkwind supported by Panic Room at St David’s Hall. I’ve seen Panic Room many times before at their own shows, here they made the most of their five-song 30 minute slot, naturally including a great version of “Apocalypstick”. Blessed with a good sound mix for a support, they seemed to go down well with Hawkwind’s audience, and told me they sold a lot of albums after the gig.
Hawkwind themselves I hadn’t seen since 1980, and had lost track of what they’ve been doing since the mid-80s, so I really didn’t know what to expect.