He Said – She Said Special Cross Cultural Edition – Typically English – Typically Japanese ! ! !

 If he chooses a track about octopus's . .  I will kill him ! ! !

If he chooses a track about octopuses . . I will kill him ! ! !

sakura 1Welcome to the special Cross Cultural Edition of He Said – She Said ! ! !  This time we decided to show what we think is typical of the music from each other’s counties ! ! !  So I will be picking typically English tracks and Mr P will be picking typically Japanese tracks ! ! !

We think it will be fun and hope you like the post ! ! !

Mr P-1This time we have chosen to visit each other’s musical heritage in a fantastic cross cultural exchange type of a thing. I think it’s interesting to see how others see us, through the medium of music. We have chosen one contemporary  track, one oldie and one traditional.  We hope you enjoy the tracks.

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Fancy an outing to the Half Moon in Putney?

Half Moon ad

I’ve already got my ticket for this – it was only £13! – and I was thinking it would be really great if some of you others could come too! It’s a Thursday, so not very good for a social, but we could have a drink beforehand at least.

Darrell Scott is an American singer-songwriter in the Americana mould – you may know him from tfd afasarae You’ll Never Leave Harlan Alive. Danny Thompson is a bass player best known (to me) for his work with Richard Thompson (no relation) and the Pentangle; but he’s played with loads of other people as well, and he plays in many styles. Darrell and Danny made a live album a while ago, and here are a couple of tracks to show you the sort of thing.

02 It’s The Whiskey that Eases the P

06 You’ll Never Leave Harlan Alive

So, on the assumption that the noise they’ll make will be similar to that…here’s where you can book!

http://www.halfmoon.co.uk/

May Mini-Social Gig, anyone?

I finally got an email from WeGotTickets that made me sit up and pay attention. Southern Gothic murder balladeers The Handsome Family are coming over for a short UK tour in May, and three – yes, THREE – of the dates are easy commutes for me. Can I have a quick shout if you’re interested, please, and with a preference for which venue and date?

Manchester @ The Ruby Lounge – Friday 17th May
Leeds Brudenell Social Club – Wednesday 22nd May
Hebden Bridge Trades Club – Saturday 25th May

Tickets are in the ten to fifteen quid price range, and if we choose either of the weekend dates, I’m considering combining it with hosting a daytime Social on the Saturday.

I don’t know The Ruby Lounge, but HB Trades Club isn’t a big venue, and the guy at The Brud told me he expects this to sell out quite quickly there, so if you can feed your pigeon some go-go juice before you send back your replies attached to its leg pouch, I’d appreciate it.

‘Spill Housekeeping

manray

Hallo fellow ‘Spillers. Just a quick post to see if anyone’s interested in a wee visual update to the old ‘Spill. Pretty much the same as things are now, but maybe…..a bit wider??!

It would maybe help if you told me how you view The ‘Spill (I’m on huge screened macs which may give me a different view on thing, y’see?) and what could make it better.

Cheery cheers, and here’s the new Laura Marling song:

On the Water…

full moonOverWater

I’ve never written a post for The Spill before. Isn’t that shocking? So I thought it was about time I made amends and started chucking the odd thing on over here, as it’s nice to break loose from the RR confines when time permits and do something about what is lighting my fire currently. As I’m still getting used to the vagaries of WordPress, I thought I would just throw something out and use it to work out how to do the techie bits;  so hoping to work those out whilst writing this but hopefully still say something interesting…. Continue reading

10 from 11 from 12

Snow business

I never got round to doing a post on my albums of the year last year. I’m sure this was a profound disappointment to everyone, so here are 11 tracks from records I liked which I don’t think featured on the Festive ‘Spill (my own choices apart) or other people’s list.

You know the rules. Pick your favourite, pick your 11th favourite. And please feel free to mention any songs or albums from 2012 to which the Spill’s collective attention should be drawn.

Update Required To Play MediaUpdate your browser to a recent version or update your Flash plugin.

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It was a bright cold day on the ‘spill, and the clocks were striking 13…

11-12-13-rr-game

My 11 most played albums of ’12 in ’13.

My end of year round up is now turned into the ‘spill game:
you know the score DUMP one (or all of them – see if I care)

It’s pop and it’s fun – don’t take it too seriously.
Remember, they are my most played – I’m not claiming they will change the world – I just liked them.


Band names in BOLD – for those who believe I make stuff up:

1 Stroke My Curls The Dodoz Forever I Can Purr 2012
2 Cuka (feat. Ikonoklasta) Batida Batida (feat. Mck, Circuito Feixado, Ikonoklasta, Beat Laden 2012
3 The Empty Man Whitey Lost Summer 2012
4 Genevieve Stealing Sheep Into The Diamond Sun 2012
5 Horn For The Whole Damn World Lazarus and the Plane Crash Horseplay
6 Passenger Emily Wells Mama 2012
7 Kevlar Sweethearts Diablo Swing Orchestra Pandora’s Pinata 2012
8 Be Strong (Blakkat Remix) The 2 Bears Be Strong (Deluxe Edition) 2012
9 Rat-at-at The Skints Part & Parcel 2012
10 Clap Hooded Fang Tosta Mista 2012
11 Circus Sunday Driver The Mutiny 2012

Nowt s’Queer As Folk in Finland

Snow Joke

This is Fuel’s List


1. Yona and Orkesteri Liikuvat Pilvet – Shhh…
2. Kuusumun Profeetta – Sataa lumi maahan hiljaa ja varhain
3. Suo – Saunaloitsu
4. Värttinä – Sorja Poika
5. Kerkko Koskinen Kollektiivi – Laura Palmer
6. Ceebrolistics – Nämä aallot
7. Haikara – Kun menet tarpeeksi kauas tulevaisuuteen, huomaat olevasi menneisyydessä
8. Elokuu – Soutaa Huopaa
9. Paavoharju – Valo Tihkuu Kaiken Läpi
10. CMX – Ruoste
11. Tenhi – Kausienranta

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Strings Attached

My friends in The Electric String Orchestra put on a big show in Glasgow a few months back, which I was lucky enough to catch on camera. They do rock n roll & popular covers with a 12 piece orchestra (Bowie, Muse, Lady GaGa, GnR, King Creosote etc) and have guest singers also (Emma Pollock, Twilight Sad still to come, I will post when they’re ready!).

This clip is of fine Highlands folk singer Rachel Sermanni performing one of her songs, Rachel has gone down well on The ‘Spill previously, so I thought you may like to see this.

And after the jump, Britney Spears gets tackled.  Continue reading

An Engagement is Announced…

Never let it be said that we don’t bring you the very latest up-to-the-minute pop gossip: Owain and Hari (Angharad) from up-and-coming bilingual Welsh-English folk/electronica duo Trwbador are engaged! That is indeed MrStepAbahachi, and we couldn’t be happier. Here’s a clip from a tv appearance on S4C last year, to whet the appetite for their forthcoming debut album – the wedding comes later next year…

How I discovered . . . . . . Jim Croce

I hate Moustaches ! ! ! He was so handsome without it ! ! !

I wanted to start a series of occasional posts about how I came to discover some different artists and this will be the first of the series. So this series will be about how I discovered some different English language artists and I tell the story by including tracks by the artists that lead me to the discovery.

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12 for 2012 No 1: Rachel Sermanni

I’ve been keeping an eye on Rachel Sermanni for a wee while now, and she’s come up with the goods – some slightly schizo twitchy folk disturbia from the deepest darkest forests of the Scottish Highlands. It may only be a hundred miles north of where I live, but it’s another world – a godless, dark wasteland of wild-eyed beasts dancing with the devil in the woods.

Some Entertainment For The Wash-up?

Merry Christmas y’All!

By now you will have muzzle-loaded every form of carbohydrate known to man within the space of 24 hours, some of you will have gorged on the charred carcase of poultry past, many of you will have fearlessly guzzled a combination of drinks that you would consider inappropriate on the most lost of weekends, and then to cap it all merrily furred your arteries up with the combined contents of a dairy farm and a sugar plantation.

So there you are, in a stupefied state, knowing only too well that there are only two things which can revive you: the riches of the Spill and the mundanity of tidying up the kitchen by way of tribute to your chef.

Lucky for you to have chosen to log on in this post-prandial fug, for I have something to help you through the dishes and hopefully most of the pots and pans. It is a sublime confection of music, wit, bonhomie and friendship. I posted a fragment of this session on the occasion of tfd’s retirement and had held off posting the rest as I knew it would be a necessary yuletide palliative.

Brendan Croker and Kevin Coyne recorded an album in 2002 – the story of their meeting and how the music came together is explained in their interview segment with Andy Kershaw. The whole thing is pleasantly bonkers, with the interviewer seemingly happy to try and compete with the ludicrous ramblings of his guests.

I used to listen to this every Friday at 5PM to remind me that there was something to life other than work, although I think you will find it works well while taking care of the clear up. I am on a farm for Xmas and while I myself will not be able to join you today, I will be enjoying every bloated gluttonous second of it and the washing up too!


Songs About Gardens: B-List


Songs About Gardens: B-List

The B-list provides an opportunity to compile a list free of the constraints and pressures of the A-List.  To give a hearing to some tunes of choice without the limits of  PC or taste.  So i was a bit piqued to find my choices and list were less varied, less offensive,  and more user-friendly that i had hoped for.  (I used a bigger shoehorn too!)  Almost too damn pretty of a list.  I think Wyngatecarpenter may have put his finger on it – “Clearly this subject brings out a softer side in some of my favourite artists.“  Slim pickings this week for hard rock, metal, punk, thrash, grunge, and hardcore hip-hop.  On the upside – a banner week for 60′s grooviness, earthy blues, psychedelia, folk, culture, goth, indie/alt and J-pop. Continue reading

Transatlantic Sessions season 5

Jerry Douglas and Aly Bain - they're in charge

Looking through my iTunes to find songs about Sara reminded me that Sara Jarosz is my discovery-of-the-season from Transatlantic Sessions. Season 5 that is.

As usual I’m enjoying TS very much. This season has Danny Thompson in the house band, though he’s the odd one out being neither Scottish, Irish nor American. Maybe he’s an honorary member of all those nationalities. All the music is terrific – this week’s one which I’ve just watched on iPlayer ends with Eric Bibb and Don’t Let Nobody Drag Your Spirit Down, a sentiment with which I heartly concur, featuring a blues mandolin solo by Sam Bush. It’s wonderful.

I know not of all of you are able to watch TR. Currently it’s on BBC2 Scotland on Fridays at 7.30 and then on the iPlayer; I expect it’ll be shown on ordinary BBC2 later on. There are videos from earlier seasons on YouTube – again, these may not be available to everyone. Please, if you can, do give it a watch even if you think you don’t like folk/country music. You never know…

Here’s Sara Jarosz not on TS singing her song Come Around.

Goodbye, Bert

The mothership has closed following tfd’s announcement of the sad demise of Bert Jansch. I, for one, would have appreciated the chance to say how sad it is to lose yet another great talent. I bought the record he made with John Renbourn, from which this track comes, when it first appeared. This, and their work with Pentangle, blew me away.  I’m sure several of you have memories of Bert you’d like to share. Go ahead.

poppy, light, lipstick, town, apple, wine, roses, blood


What a music-filled weekend it’s been so far! And what a shame someone can’t have a special anniversary every weekend. You know – songs about wood, songs about paper…what do you mean that’s not special?

I’d have had my 41st this year, as it goes, had I taken the precaution of remaining married. But I reckon it was worth it doing it my way. Here are some songs.


1 Poppy-Red by Richard Thompson
2 Roxanne by the Police
3 Mystery Man by Tom Petty and the Heartbreakers
4 Scarlet Town by Gillian Welch
5 Red Apple Juice by the GPs
6 Red Wine and Promises by Lal & Mike Waterson
7 Blood Red Roses by Sting
8 Blood of the Ram by the Gourds

A couple of websites


You know those lyrics sites where the lyrics are just plain, well…wrong? I’ve just discovered songmeanings.net which is a lot better than others I’ve tried. There’s a comments section underneath each lyric where people post what they think the song means, which is often amusing and rarely used for slagging people off – the site promotes being nice to each other and respecting other people’s opinions. You can add lyrics (or artists/bands) if they’re not already there and so far I’m having lots of fun and even been complimented once on a description. Give it a try and let me know what you think!

Also, last night I discovered

The Oxford American Southern Samplers which are compilations of music from the southern US – all kinds. There are seven of them and the blog site provides info, pictures and a track listing for each one. I only had time to download one last night, but I’m pleased to say I now have Ode To Billy Joe in my collection.

If you’re not used to downloading zipped files from blogs let me know and I’ll help.

Joan T Bender and Her Toy Tubas

Or June Tabor and the Oyster Band as they are better known.

Actually I may have got that anagram wrong. I hadn’t heard it before this evening and I wasn’t taking notes.

So what happened was this. TFD bought a ticket to see JT and the OB’s at the Queen Elizabeth Hall on London’s  South Bank.

Sadly she could not come to London midweek to attend so she gave the ticket to me on condition that I write some kind of review.

Writing about music is not my forte as you may have noticed. I tend to just say I like something and quote a snippet of the lyric or use terms like “pretty marvelous” or “particularly impressive” which don’t really tell you anything.

So………

It was, I have to say, a pretty marvelous gig, including, as it did, songs from their original collaboration (which I’m partially familiar with) and their forthcoming album Ragged Kingdom (which, obviously, I’m not).

http://www.bbc.co.uk/music/reviews/32wx

This was the first time they’d played some of the songs from the new album live and we were repeatedly thanked for being their guinea pig audience. A major tour is to follow and (tfd take note) I think they’re going to play Milton Keynes. Much though I love the South Bank Centre and all its works, I think this set will really take off when they play to an audience who aren’t obliged to remain in their seats.

Covers of rock classics included “Love Will Tear Us Apart”, “White Rabbit”  and the Velvets’ “All Tomorrow’s Parties”.

These were all welcome but even better were their versions of  Dylan’s “Seven Curses” and Polly Harvey’s “That Was My Veil”

They even managed to win over the teenagers sitting behind me who had been dragged there by their parents and who, at one point,  spent their time complaining that “I didn’t want a history lesson” when a song introduction dared to include a bit of background colour.

I do have to say that June became rather terrifying as she contemplated the possible eviction of  the Dale Farm travelers and the contribution travelling folks have made to preserving traditional songs. I look forward to seeing her on “Question Time” very soon.

The music veered from the manic to the ethereal and back again. Allen Prosser on guitar was particularly impressive but they were so integrated you couldn’t really isolate one element.

For some reason they did not play Day Trip To Bangor.

Old folkers – Martin Carthy and Dave Swarbrick 70th birthday tour

Many thanks to Daddypig for alerting me to a gig at Holy Trinity Church in Leeds last night, (part of Carthy and Swarbrick’s 70th birthday tour).

I’m sure you don’t need me to tell you that they are two amazing musicians. They have been performing together since the mid ’60s, and have been involved with numerous projects and bands at various stages, including Fairport Convention; the Albion Country Band and Steeleye Span, to name a few.

I met Daddypig and his friend Terry (champion of the Guardian’s Notes and Queries) at the appointed time, in what has to be one of the mini-est Spill socials ever. We took our own beer – it was surreal sitting in a pew in a beautiful 300-year-old church and cracking open a bottle of Hoegaarden. Considering the status of the performers, the audience was small, and we had a whole pew to ourselves. It’s not often you see two folk legends checking tickets and manning their own CD stall!

The acoustics were excellent; the opening number was “Sovay“, followed by other classics including “The Death of Queen Jane” (above), “When I was a Little Boy“, and “The Bride’s March from Unst“, which Dave Swarbrick had great fun in trying to pronounce, with very few teeth. For a man who has survived emphysema and a double lung transplant, he is incredible, his playing as fluid and relaxed as ever and a perfect complement to Martin Carthy’s excellent guitar and dour vocal. In between songs we were regaled with tales of pickpockets, derring-do, funnel-web spiders and how to tell the difference between a slip jig and a reel (it’s all in the timing).

They are promoting a new CD featuring live recordings between 1989-1996 (“Walnut Creek“) – check it out, if you’re a folk fan. I’m sorry the audio on the above links isn’t very good.

My thanks to Daddypig for getting the ticket, to Mrs Daddypig for hospitality and Match of the Day, and to Terry for the lift home. Much appreciated!

The Oates Field – Wild Oates

I hadn’t heard of The Oates Field and still wouldn’t know of them were it not for a lil’ serendipity. I was due to review another act playing at the Edinburgh Fringe, which unfortunately had to cancel due to illness. The other musicians booked to perform included Alan Oates, and this is his newly released album.

The Oates Field is Alan Oates who writes and plays pretty much everything with Iona Marshall on backing vocals and Chris Lowrie on the drums. Oates is a regular on the Fence Collective’s live scene – a Fife based community of musicians regularly collaborating amongst themselves, moving between folk, indie and electronica.

The imprint of both Fife and Fence is evident lyrically and in ambience on Wild Oates which has a  broad range for what is a pastoral album in the true sense (Oates lives in Leith on the outskirts of Edinburgh). The arrangements are mainly based around Oates’ Lo-Fi guitar sounds but the use of electronica is sparing and effective and the whole album has an accomplished loose feel and open sound.

Life, Fife is an uplifting celebration of the music scene, Nature takes us on a trip to the countryside, Watches muses on the passing of time and has a great groove and The End of The Show which closes the album opens with a soundscape echoing the Boards of Canada. The four tracks are on the player below – please listen to the whole lot.

Llama verdict: a wiggle of both ears, lots of eyelash batting followed by a joyous trot around the enclosure.


Wild Oates is released today

http://www.the oatesfield.com

Tiny Birds – Pogueseskem Folk

Occasionally, musicians send details of what they do to the Spill, asking to be featured. One recent request came from Matt of Tiny Birds, who said: “We just wanted to tell you about our new song, The Photographs That You Took (streaming at www.tinybirds.co.uk).

“It’s about morning-after type regret, but never has the sound of regret been so damn jaunty. We recorded it in a live session in June, and hope you like it.”

Well, I gave it a listen and I like it, so I asked Matt to tell us a bit about Tiny Birds, and this is what he said:

Q: When was the band formed, how many and who are the members?

A: The band started in September 2009, rising from the ashes of a loose indie folk collective that played glockenspiels, mini-accordions and ukuleles under a backpackers bar in south London. Only Matt and Dave remain from that time, with Mark, Tom and Tim posting and answering a variety of online adverts to create the current five piece that’s been going since about March 2010.

Q: What instruments do you all play?

A: Dave sings and plays the ukulele, guitar, percussion and thundermaker. Matt also sings and plays ukulele and guitar. Tom drums and sings, Mark plays banjo and Tim is on bass.

Q: Are you London-based, or elsewhere?

A: We’re all London-based, with each of us living in a variety of far-flung parts of the city.

Q: How many albums have you produced?

A: We released Hymns for the Careless earlier this year, a new single called The Photographs That You Took in July 2010 as well.

Q: What or who are your main influences?

A: One sound guy who had worked with Arcade Fire did say that he thought we sounded like them, and we’re likened to Belle and Sebastian a lot; obviously they’re both very flattering. One blogger also said our music conjured images of Buster Keaton, which is a massive compliment, and a German blogger described us as “Pogueseskem Folk” which apparently means we sound a bit like The Pogues. Cross all of those and that’s a good summary of our influences. Continue reading

tfd’s 20

What? Am I the winner?

You most certainly are, Shirley – congratulations!

Hi ‘Spillers: this is an auspicious occasion (I’m having quite a week in fact), as I celebrate my 20th A-lister on RR. I first got drawn in for Illness, in November 2007, made all the usual mistakes that newbies make, and got my first A-lister the following January. Now, I’m sure you don’t want to listen to all 20 in one go (if at all) so I’m going to do two lists of 10. Here’s the first.

1 I’m The Face by the High Numbers, alias the Who. ‘I Am’ songs, Jan 25 2008
2 Nottamun Town by Shirley Collins and Davey Graham. Surreal songs, June 13 2008
3 Remember (Walking In The Sand) by the Shangri-Las. Songs about memory, Oct 10 2008
4 Ghost In This House by Alison Krauss and Union Station. Songs about ghosts, Jan 30 2009
5 Lord Gregory by Shirley Collins. Songs about social class, March 27 2009
6 Marilyn Monroe by the Ian Campbell Folk Group. Songs about actors, April 17, 2009
7 Complainte Pour Ste Catherine by Kate and Anna McGarrigle. Songs in French, June 19 2009
8 The Cruel Mother by Shirley Collins. Cruel songs, July 24 2009
9 However Much I Booze by the Who. Songs about failure, August 7 2009
10 Barroom Girls by Gillian Welch. Songs about hangovers, January 8 2010


Ready for Part 2? OK then:

11 Killing Jar by Richard Thompson. Unsettling songs, January 22 2010
12 The Victory by Steeleye Span. Songs about historical figures, January 29 2010
13 Long Live Rock by the Who. Songs about concerts, May 27 2010
14 The Eyes Of Fate by the Incredible String Band. Songs about fate, September 24 2010
15 The Unquiet Grave by Shirley Collins. Songs about the afterlife, May 26 2011
16 Cherry Red Wine by Luther Allison. Songs about wine, June 9 2011
17 Blue Days, Black Nights by Buddy Holly. Debut songs, June 23 2011
18 The Dark-Eyed Sailor by June Tabor and the Oysterband. Songs about eavesdropping, July 14 2011
19 Barefootin’ by Robert Parker. Songs about dance styles, July 28 2011
20 So Sad (To Watch Good Love Go Bad) by the Everly Brothers. Songs about a change of mind, August 4 2011


Well, that should keep everyone amused for a bit!

Well done Kenny!

I’m sure that all of ‘Spilldom knows that King Creosote is one of my utter favourite singers, so I’m exceedingly pleased he’s been nominated for this year’s Mercury Music prize for his “Diamond Mine” album, a collaboration with Jon Hopkins. The last time I saw Kenny he was singing by the creels at Crail harbour, a fishing village just down the coast from where I live, and the album that’s been nominated is a concept record in the form of a postcard from a Fife coastal village – so well done to KC, and big up the East Neuk of Fife, Fence Records, and all that sail in her!