elastic bands – this week: #️⃣⁉️* (numbers, symbols and punctuation marks)

arteesane---elastic-bands

Special tough one for those inclined to delve deeper in their collections
The game to illustrate either:
How wildly eclectic your taste is… or,
How perfectly streamlined it is.

Symbol in my driveway

elastic bands – this week: Y

elastic-bands-Y

Why oh why is it Y?
Well, I’m away for a couple of days and really don’t need to come back to a full inbox of astronomical levels – so we get a tough one… and a little earlier in the week.
It’ll be easier next time – I promise.

The game to illustrate either:
How wildly eclectic your taste is… or,
How perfectly streamlined it is.

yeah baby

TODOS SANTOS CUCHUMATAN – GUATEMALA.

Lately I’ve been poking around at WordPress trying to understand their obscure system for posting multiple photos, I think I’ve finally got it, or at least enough to get started. I’d like to do an occasional post devoted to photography rather than music. I’ve always thought of myself primarily as a photographer, I wore all sorts of other hats but generally speaking, wherever I went I was always carrying a Nikon F or an F3. But not just a Nikon, often/usually I also had my camera bag on the other shoulder, that contained another Nikon with a different lens, plus both of them had motor drives. A Nikon F with a 180mm, f2.8 lens, with a motor drive with 8 AA batteries in it and loaded with a 36 expo roll of Ektachrome 200 weighs about 5.5 – 6 lbs. I carried two of those plus several spare lenses, spare batteries, plus a lot of various misc. photo gear and lots of spare film. I’m not complaining in the slightest, it was a chosen way of life. Generally speaking, wherever I went, that’s what I carried, particularly whenever on ‘holiday’ or at a musical event.
So I was walking along a rural lane in the village of Todos Santos Cuchumatan, It is situated in northeastern Guatemala in the the remote Sierra de los Cuchumatanes mountains at an elevation of about 8,000 ft. My fiend John and I had driven there in the VW camper van when we visited Guatemala in the late 70’s. The population of Todos Santos is predominantly indigenous, of Mayan descent, most of whom still speak the Mayan language of Mam. The town is one of few places in Guatemala where the indigenous population still make and wear their traditional clothing.
As I walked along that lane that morning I glanced up and saw a young boy walking towards me, my Nikon was in my right hand at about thigh level, the lens must have been pointing forward.
When he was about 10-12 ft from me he suddenly bent over from his waist to look directly level into the camera lens, I suspect that he’d never seen a professional camera with a long lens before. Instantly I dropped to one knee to be at his level and fired one quick shot and as I did so I remember saying to myself “That’s probably the best photo I’ve ever taken” but at the same instant I knew that it was out of focus. I straightened up and instantly fired another but the magic had passed, he was no longer looking into the lens. There was no auto-focus in those days, every shot had to be manually focussed. I should mention that the reason for using a motor drive was because the film was instantaneously advanced whenever a shot was made, the camera was always ‘cocked’, always ready to shoot, a huge advantage.

This is the first shot I took that day, to the non-critical eye it might look OK but if you look carefully you’ll see that it is out of focus.

best copy

This is the second shot, it’s OK, it’s in focus but something’s missing.

the kid2 copy
If you click on them they will become larger.

Here’s a selection of photos of people from that village, notice the similarity of their clothes, the women make them on primitive looms in their cottages and every family has a different traditional design. This is not uncommon in Guatemala and you can often tell where a person’s from by the design of his/her clothing. I’ve read that the design of these clothes originates with the Spanish conquistadors who came to Guatemala in the sixteenth century, check out the codpieces, the shoes and the elaborate collars. I started buying examples of their clothes and came home with a large collection. They were not dumb about selling them, I recall at one cottage paying about $440 for several items, a huge amount considering that the men usually worked at seasonal agriculture for less than $1 per day! The women were the only ones who made and sold the clothes and these were not tourist items, there were no tourists, these were the clothes that they wore. They’re absolutely beautiful. I have them hanging in the house.
I very rarely asked permission to shoot photos, had I done so the moment would have been lost, instead if I saw a shot I’d point my camera and smile and a return smile was my OK. I can only ever remember one time where someone was upset at my shooting, it was in this village and I was standing against a wall at the edge of the market shooting with a 300mm lens, suddenly there was a ‘whack’ up the side of my head, a woman had hit me with a stick; I took the hint and quit for the day. Generally speaking most people were happy to have their photos taken.

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flight or fight?

Ali’s photo for Earworms reminded me of two fantastic videos – The Hidden Camera’s video is so powerful it takes over the brilliant song. Based on an old comic Joel wrote – it’s been a live favourite for a while. The short film has been shown at festivals in Berlin and Canada to much acclaim. The freedom of the birds over the field at the start is rather significant.

Another film that uses the flight of birds as a metaphor for escape is Leonard Cohen’s – First We Take Manhattan, their flight is deliberately juxtaposed against the songs beat to discombobulate.

cheery Tuesday post, eh?

Car’tune Co’mic

jesus-and-mary-twinsSo I hope everyone has seen this site before – it’s why the internet was invented according to barbryn and I:
http://thischarmingcharlie.tumblr.com

I have nine days left to finish a massive bit of artwork for a major (the major) exhibition of the year around these parts – so what better use of my time – than knuckling down and … and .. and

….faffing about with comic strips.

Monkey gone to Hoobes
calvin-and-pixies

Question is, what would you merge?
Does Eeyore pick up the mic and sing Cohen?
Does Andy Capp sing AC/DC?

Give us your wish list
if it’s a bit more obscure show me some links -
‘spill pints for creativity.
Tank Girl has got to work with Kenickie lyrics, right?

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It was a bright cold day on the ‘spill, and the clocks were striking 13…

11-12-13-rr-game

My 11 most played albums of ’12 in ’13.

My end of year round up is now turned into the ‘spill game:
you know the score DUMP one (or all of them – see if I care)

It’s pop and it’s fun – don’t take it too seriously.
Remember, they are my most played – I’m not claiming they will change the world – I just liked them.

Band names in BOLD – for those who believe I make stuff up:

1 Stroke My Curls The Dodoz Forever I Can Purr 2012
2 Cuka (feat. Ikonoklasta) Batida Batida (feat. Mck, Circuito Feixado, Ikonoklasta, Beat Laden 2012
3 The Empty Man Whitey Lost Summer 2012
4 Genevieve Stealing Sheep Into The Diamond Sun 2012
5 Horn For The Whole Damn World Lazarus and the Plane Crash Horseplay
6 Passenger Emily Wells Mama 2012
7 Kevlar Sweethearts Diablo Swing Orchestra Pandora’s Pinata 2012
8 Be Strong (Blakkat Remix) The 2 Bears Be Strong (Deluxe Edition) 2012
9 Rat-at-at The Skints Part & Parcel 2012
10 Clap Hooded Fang Tosta Mista 2012
11 Circus Sunday Driver The Mutiny 2012

there’s and aRRmy around the country

d1-DsD-guru-and-playeRR-tee-photo

Now you’ve gone and left me and there’s nothing here,
But a tenner in my pocket and a fridge full of beer,
There’s an aRRmy around the country, we’re all stuck in our rooms
It takes a lot of preparation to make a move.

1 Foot Soldiers (Star-Spangled Funky) Funkadelic
2 A Brighter Beat Malcolm Middleton
3 On My Shoulders The Dø
4 Brave Tin Soldiers Sarah Nixey
5 The Happiest Place on Earth Desaparecidos
6 Soldier’s Grin Wolf Parade

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Why Are You Being So Toquiwa Now?


Tokyo all female three-piece TOQUIWA release their hi-energy J-punk in the UK on October the 22nd, 2012. Scopitones announced TOQUIWA’s self-titled debut on digital release and limited edition tour CD.
They begin touring the UK on 26/10 in Bournemouth – I’m going to be there (in a home made bright orange TOQUIWA T-shirt) – I also made a T-shirt using the ticket from a live Wedding Presents Ukrainian Sessions gig. But I can’t wear both.

This is the track listing and below the review are Smash Hits style questions sportingly answered by the band.

(I want to post this today – so I will have to ask Sakura to advise if I’ve got anything in the wrong places)

Photograph of the band used with permission – all designs created by arTEEsane are not for profit – please don’t use.


illustrative track from Music Ripple recorded as Pinky Piglets

The self titled album by Toquiwa on the Wedding Presents Scopitones label, should almost be called go out and get ‘em girl – such is the frantic pace that they erupt with perfect pop rock. The first 13 seconds set up the album (you heard right – 13 seconds sets out their manifesto) – Fantasticly playing the many influences and condensing them into a tight Toquiwa package.
Strangely managing to be extremely talented musicians yet still exuding that punk ethic of innocence and naivety.
The tracks have so many astonishingly catchy segments and hooks, you wonder how the pace can be kept up, but keep up they do, building and building, twisting styles and era’s together as if timelines were squeezed, squashed and smashed into their musical brains. Until in comes out sounding as though these things should always have sat together (superbly) in each 3 minute track.
Not only that, they know how to sequence an album – just as your head might explode keeping up – (ten second bar room blues, into superfly 70’s style, into a quiet millisecond break – roaring back into .. you get the drift – I’m loath to compare because it all sounds so Toquiwa – but as reference you could detect The Animals merging with a Curtis Mayfield track with hints of Kirsty MacColl’s weariness and wonder, while a Status Quo repetitive rock riff underpins a track – and quite loud quiet indie rock aesthetics jostle in) they take a breather with a ballad – and then we are invited to party hard once again, ending with an enthusiastic Wedding Present adaption to thrill and inspire while closing the album out.
It’s fantastic fun – superbly performed and feverishly played. Total enjoyment.

Would they be happy to answer my frivolous questions linking to each song on the album?:

各曲に関連した私のくだらない質問に答えていただけたら幸いです。

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