Henry Plotnik – Blue Fourteen
Thirteen is a funny age. For me it was a kind of limbo. The childhood indulgences that had pre-occupied me all the way back when I was 12, such as whose scientific calculator was the most scientific or whose waterproof watch was the most waterproof were long gone and the heady days of smoking fags, listening to music and hanging out with girls that came when I was 14 still seemed a world away. I’m not sure what I was doing when I was 13, but I’m pretty sure it wasn’t crafting exquisitely textured experimental minimalist soundscapes and releasing them on cool, underground DIY cassette labels. Henry Plotnick is only 13, but is already on his second album and his music is just amazing. As far as I know, he just uses a keyboard with a loop pedal, but the result is a whole album of beautiful, dense, textured minimalist genius that unfolds in waves of perfectly composed sound.
Now for a small confession: I only heard this album for the first time yesterday (hence the joint number 2s)! I may well regret making it my Album of the Year in a few weeks time, but right at this very second it sounds to me like the most amazing record I’ve heard all year and isn’t that what being a music (or football, or whatever) fan is all about? Just being so bowled over by something that it distorts your judgement and causes well-educated, grown adults to make wild unsubstantiated proclamations about things at a drop of a hat?
Merry Christmas Spillers – I’m off to drink some hot sake and listen to Blue Fourteen for the fifth time in almost as many hours!
Aphex Twin – Syro
I have to admit that I bought into the hype and got pretty excited about the prospect of a new Aphex Twin record. I dismissesd the negative reviews whose only criticism seemed to be that it sounded like Aphex Twin and used up some of my very very limited record budget for the year. And I was not disappointed. I love everything about this record, from the stylish itemised bill of the cover art (Mmmm…triple viny) to the ridiculous elbow-leaning-on-the-computer-keyboard track titles, to the playfulnesss and variety of the music on it. Yes, it does sound like Aphex Twin – magnificently so. It’s one album that I can come back to again and again and find something new. An instant classic in my book.
Scott Walker & Sunn O))) – Soused
First off, I should say that I know nothing at all about Scott Walker. I’ve never heard any of those old highly-revered albums or any of his more recent avant-garde stuff, I don’t think i’ve ever knowingly heard him at all. I don’t know if this is what he usually sounds like, but his voice, a deep, operatic, mournful wail on this record, took a bit of getting used at first. But, with Sunn O)))’s familiar resonant bass tones and slightly rockier-than-usual backing these epic, dark, often unsettling tracks soon burrowed themselves into my consciousness and stayed there for days on end. A late-night dark night of the soul contemplation record for those with particularly dark souls.
Run the Jewels – Run the Jewels 2
This years’ ridiculously good free hip-hop album (Chance the Rapper’s “AcidRap” was 2013’s) is the perfect combination of Killer Mike’s aggressive socially aware, in-your-face rapid fire raps and El-P’s innovative beats. I only got this a month or so ago after hearing one track from it on a podcast, but have been listening to it pretty constantly since.
Here’s one track to sample or get the whole thing for free HERE
Peaking Lights – Cosmic Logic
A sparkly return to form after the slightly meandering previous album “Lucifer”, which has grown on me a lot over the last year. The dynamic husband-and-wife duo, Peaking Lights and their self-built synthesizers are back with more woozy, dubbed-out unclassifiable tunes, but this time they’ve gone pop, pop,pop…..well, even more pop than before and the result is a cracking album that doesn’t quite stand up to their masterpiece (and former Panthersan Album of the Year) 936, but catapults them to the heart of synth-driven psych-pop kosmiche nirvana.
As a resolutely steadfast thick-as-two-short-planksphone user, this video rather appeals!
Ommadon – V
Panthercub’s current favourite bedtime book is the perennial classic “We’re Going On a Bear Hunt”. His favourite line, which he never fails to pre-empt with gurgling glee is when they come across the “… thick, oozy mud”. He doesn’t really understand it, but when he says it, it always reminds me of Ommadon. This album from the Scottish sludge droners (featuring the brother of a bloke I work with, which is how I found out about them) is the aural equivalent of thick, thick oozy mud. Two crushing 40-minute slabs of the heaviest, sludgiest, darkest metal around. Ommadon – you can’t go over it, you can’t go under it, oh no – you’ve got to go through it!
Available as a pay what you want HERE.
Reunited after more than 12 years, Panthersan and Satankidneypie devote several hours of the precious little time they have together to discuss shades of piss, 9/11, the perceived homogeneity of Scandinavian culture, ISIS, Sutton United, the Boss….oh….and some music too!
Scripted by a team of top Hollywood writers and based on a carefully honed and well thought out concept, we present to you the first and most likely only installment of Bends For Zero Miles…
I was clearing up my desktop last week as I was transferring files over to my new MacBook when I found a whole load of half-finished/barely started Spill posts that I had never quite got round to posting and the moment had kind of passed. Here’s one that seems to have been inspired by a nomination I put on RR for a song by local Brighton legends Anal Beard that had got me thinking about my gig-going days in the late-90s/early 2000s.
Possible future posts to follow on the subjects of Riot Grrrl icon Kathleen Hanna, San-Francisco punks Crime and my thesis on why “Royals” by Lorde was the new “Smells Like Teen Spirit”!