As I promised several weeks ago, I’ve put together a playlist for a Halloween house party of the sort that me and my friends might attend. There are lots of dark party tunes ahead, and hopefully you’ll like them! Sadly, I don’t have MP3s of most of these songs, so I’m posting links to videos on Youtube. I hope you don’t mind!
Where was I again? That’s it – I was doing a series on lesser known punk bands from the early 80s. I’m now going to get the series up & running again (I hope). It’s been derailed by a variety of things, starting off with my trip to Blackpool, so it seems appropriate to start again with imho Blackpool’s best punk band. The Fits were formed in 1979, many years before Blackpool became the official holiday destination for the UK punk scene. They were influenced by the early punk version of Adam & The Ants, but didn’t have the ability. But this was punk after all, and limited ability didn’t stop them having a go. Despite some dodgy early recordings they persisted and went onto release a handful of classic records.
Sakura’s Kara Earworm got my mind wandering this morning and I happened to have my laptop in my bag, so here are some random thinkings…….
I have to confess that I’m kind of fascinated by the whole K-pop phenomenon. As you may know, most K-pop stars are required to attend intensive and thorough training and teaching in a wide range of skills – singing, dancing, language skills (usually English, Japanese and Chinese), interview and media training etc alongside regular school studies, for a number of years before they are unleashed on the world as a complete unit. It’s like a combination of university study and job training.
I want to share a little new Bay Area music with all of you. Tumbleweed Wanderers first album , So Long , comes tagged as Country & Folk. I’d say that’s boxing them in. Their video release of Roll With The Times starts with them shamelessly invoking a Sly & The Family Stone lick to great effect . Well, that’s neighborhood music for these Oakland boys & I say more power to them. Know your roots.
They’re fresh off a tour supporting Australian Angus Stone & already talking new music. Love the idea of moving it forward. Here’s a couple of tunes that tickled my fancy. Hard Times for it’s use of the banjo to set the mood and So Long Blues for it’s fine vocal harmonies & understated instrumentation. Kinda reminds me of the Dillards. Full disclosure, the keyboard player is a close friend’s nephew & I got to meet a couple of them when they did the music for her daughter’s wedding a while back. Nice lads all & I’m wishing them well. Click on the player for a listen.
Good day to you fair ‘Spillers – I’m hoping to pick your gigantic communal brain on literary matters. I am about to start producing literary podcasts for a client, and need your help please. The podcasts will have a basic format where an author reads and is interviewed and takes questions from an audience. All well and good and quite straight forward. What I quite like the idea of is the same five awesome/bizarre/funny/deep questions being asked of the different authors, kinda like an EOTWQ with a literary bent, which I think would add up to an interesting feature – and this is where I need your help please!
If you can put your amazing questions in the comments I will be most incredibly grateful – no such thing as a bad question! Thank you so much!
You know what to do by now. Open your lugholes, filter the noises through your accumulated history and taste and then condemn one (or more) to the drop.
While putting these tracks together I started to detect fragments of a story, one of those tales that jump back and forth in time (I’ve just read Hari Kunzru’s Gods Without Men, so that may be why). If you buy that idea, an alternative game is to replace your least favourite chapter/song with one more to your taste that still fits the ‘storyline’ or just add one that fills a gap. If you haven’t a clue what I’m on about, please don’t call the men in white coats.
Apologies for the variable sound quality: tracks 6, 7 and 11 were digitised from their LP’s. No apologies for the tone or the two minor porkies.
Your fellow bandmates think your songs suck – possibly because you’re the drummer. You can’t get them on the album, and you’re feeling unappreciated. Perhaps you need to get our of your recording contract, so it seems expedient. Maybe – just maybe – you are better than them and this will be the proof.
So is it going to be a Primitive Cool or a Nightfly? Your thoughts, please, on the solo album. Particularly the “while I’m still in the band” solo effort.
Now you may hold views on the solo album which might be too blistering in their honesty for publication over on RR. Here, however, you may choose to pay homage to your favourite or delight in cruelly exposing ambition (or writer’s block) interlaced with a bewildering lack of talent, and yes, even a considered meh is fully acceptable. Any stance should be supported with some form of evidence or justification.
Off you go then.