Spill Challenge Vol 2. No.4 Orchestral Instruments in Pop and Rock

Classical Music is so romantic ! ! ! But can it really Rock ? ? ?

Classical music is something I really know nothing about ! ! !   But I do like most of the things I have heard.  I like the sound of the instruments a lot and there is a great variety ! ! !

But what about classical orchestral instruments in Rock and Pop?

Of course there are lots of different instruments.  Strings like violin, cello and double bass should be really easy to pick out and of course trumpets and trombones.  But what about French Horns, violas, oboes and clarinets and some of the other stranger instruments like Bassoon.  (I thought that was actually a type of monkey before I started to write this post ! ! ! )

So your Tuesday Spill Challenge is to nominate rock or pop tracks that feature orchestral instruments.   I think we should exclude the piano as it is really a rock instrument also, and also exclude Traditional Jazz as they really often use orchestral instruments anyway.

So to start here is my choice, featuring a cello.

Have Fun ! ! ! 

Noanowa with Yumenoarika  (how was the dream)

If you want to put the challenge next Tuesday – Please tell us in comment ! ! !

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110 thoughts on “Spill Challenge Vol 2. No.4 Orchestral Instruments in Pop and Rock

      • Can’t see that video in my country, but can you believe i still haven’t seen that movie yet? I will search a yank friendlier clip on youtube.

        Here’s where i’m missing Fintan, because surely he remembers these guys. Question is when exactly does a violin become a fiddle.

      • Hope this falls in the right place. AmyLee re: Seatrain. While I remember the name & knew people who had seen them this is completely drawing a blank music wise. Might be because I was on the East coast when they were out west & then vice versa when they went to Mass.

  1. In her ‘confrontational rock-chick’ phase, Polly ripped all the guitars and drums out from Man Size and replaced them with jagged strings. I don’t know if it’s still rock but it’s quite brilliant.

  2. Spoiled for choice really, especially with my fondness for what is sometimes termed “chamber pop” which are bands who regularly use strings and other orchestral instruments to adorn their sound.

    I’m plumping for Tindersticks “Another Night In” because once I was listening to it on a car journey and felt as if the string were caressing my ears and then each instrument seemed to give new meaning to the song (it was a dull journey)

  3. I’m not trying to have 2 goes, but surely Roxy Music are a shoo-in too, with Andy MacKay’s use of the oboe and saxaphone.

  4. Mind you, there are lots of Beatles’ songs, from Yesterday to Eleanor Rigby. Myself, I’d go for Strawberry Fields Forever or . . .

    • I forgot all those tracks the Beatles did with orchestras ! ! ! Thanks for reminding me of them. They are amongst my favourites ! ! !

  5. “Any time you get to work with an orchestra, god, it’s a thrill. Something I could never have dreamt of in childhood, that I would have that kind of experience.” – Tom Petty

    So this is his song about childhood, with an orchestra.

    Dreamville by Tom Petty and the Heartbreakers

    And to return the compliment, Sakura, here’s the one with the koto!

    It’ll All Work Out by the same.

    • I loved both of these tracks ! ! ! The Koto in “It’ll All Work Out” really works well, I was surprised how well it fitted with western style music ! ! !

  6. Last one from me. Here’s The Mothers Of Invention’s take on Little Richard’s Directly From My Heart To You, with Don “Sugarcane” Harris on lead violin.

  7. Of course the whole of Metallica’s S&M album is backed by a full orchestra, but I love the sitar-y beginning bit and the gothness of Wherever I May Roam.

  8. This probably won’t work as I’m trying to be clever from an iPhone but for me, it’s Echo & The Bunnymen’s Ocean Rain. Those strings!

  9. Keith West- Excerpt from a Teenage Opera.

    Featuring the kalamahoop, duneburgle and whippet, on of the earliest attempts to mix rock music and orchestral.

    Sakura, have you received my e-mail with Chinese tracks ? I seem to be having trouble sending it, keep getting “error” message.

    • Hi Mr P ! ! !

      I really liked this track ! ! !

      I did not get your mail – But I am getting mail from other people. I just mailed you actually. But last week there was a day when I could not mail you, but it was OK the next day . . . . Ummm .. . .

      I hope it is OK later I am really looking forward to hearing them ! ! !

    • I so love this. It reminds me of when I was I was kid and hearing it for the first time in the travelling grocer’s van when I was choosing lollipops. His name was Jack. Got all goosebumpy, see? Love that shirt. He was pretty hot, old Keith there… Oh the orchestration.Not bad.

      • Cheers! If you can find a clip please post, so much is blocked where I am. One other suggestion would be the Muttonbirds Thing well made, featuring Don Mcglashan’s euphonium.

      • With pleasure. One of the comments below the clip says: “And the greatest use of an oboe in a pop song award goes to…”

      • I know what you meant, only kidding… though early jazz moved pretty quickly into a fairly small group of instruments we don’t consider to be purely orchestral these days.. besides the clarinet, the violin/fiddle, and the tuba it was basically drums, bass, saxophones, pianos, banjos, trumpets, cornets, and trombones. A few bands like Django Reinhardt’s Hot Club five focussed exclusively on string instruments (I once saw a Japanese Hot Club Five tribute band, they were fantastic)

        In the late forties- early fifties jazz+orchestra compositions became more commonplace; Charlie Parker recorded with strings, Miles Davis’ Birth of the Cool recordings featured parts for french horn and tuba, Dave Brubeck did something similar. Musicians like Yusef Lateef (for example, on his Spartacus love theme, A.listed for the Ancient History RR) took up the oboe or the bassoon.
        Jazz-rock brought in bass clarinets, acoustic and electric violins, the great Bob Stewart took up the tuba, as in this Arthur Blythe recording…

    • Hi Mitch ! ! !

      This is such a great track ! ! ! I love his voice and the strings give the track really sophisticated sound.

      I really enjoyed it ! ! !

  10. How about a rock band who’s singer is also a classical composer and conductor? Despite that they’ve only ever done a couple of tracks with a string section, here’s one
    Killing Joke – Communion

    • Ah, here’s my personal fave Joke with strings: Taking the Eastern-sounding tablas (?? I think) motif from Communion one stage further, Invocation is Jaz’s answer to Zep’s Kashmir, if you ask me:

      MAGNIFICENT! A monstrously huge sound, like the four horsemen of the Apocalypse once they’d traded up to armour-clad elephants.

  11. I’m another one spoilt for choice, so let’s get REALLY nostalgic: here’s one combining the strings with the rock guitar sound that made my lifetime musical choice for me just as I hit my teens.

  12. And I’m pinching a second go, to beg for a full 24 minutes of your time:

    Half of the total running time of The Best Album Ever Made ™, 80s synth-poppers Talk Talk traded any chance of further chart success to gobsmack us all with this initially-dumbfounding, subsequently-lauded, pigeonhole-defying masterpiece. [Nigel Kennedy on] Violin, bassoon, oboe, clarinet, cor anglais, and the magnificently-named shozyg all feature.

    Hmmm? What’s that you say? No I hadn’t either. Here’s what Wiki has to say:
    http://en.wikipedia.org/wiki/Hugh_Davies_(composer)

  13. Well, my initial thought was to return to my rock days and suggest something like Deep Purple’s Concerto for Group and Orchestra or Rainbow’s Difficult to Cure, but that may be missing the point. Then thought of my first ever favourite group, which regularly featured violin – electric violin, admittedly – and other strings. This is the best track I can find on YouTube – and I have no idea what it’s on about, but can only apologise…

  14. Now this is my take – here’s the original:

    Konono Nº1 – Kule Kule (Reprise)

    and Jherek Bischoff vs Konono No. 1: Kule Kule (Orchestral Version)

    and a short video of the original musicians to show the contrast of wired up car parts in comparison to an orchestra:

  15. First thoughts on this goes to the Moody Blues and the whole album Days of Future Past the whole album is atributed to them and the London Festival Orchestra.
    It is the album that gave us one of the best orchestrated “pop” songs of all time……………“Nights in White Satin”.

    Originally recorded in 1967.

    • Peter Skellern reminded me of the wind instrument club in my high school actually ! ! ! (Which is no bad thing – as Pairubu says ! ! ! )

  16. Ok, RRJ got in early with the Hammill orchestras so I’m going with Lindsay Cooper’s bassoon and clarinets and Fred Frith’s violin. Anybody mention Robert Kirby’s string arrangements yet?

      • I like the Basoon ! ! !

        I really did think the Bassoon was type of monkey before, but I am not good with animals, When I was a kid I thought lions and tigers were the same but lions the men and tigers the girls ! ! !

        Henry Cow were very interesting and challenging but I enjoyed it very much ! ! !

  17. WOW ! ! ! So many great tracks ! ! ! I have listened to some but I need to rush to my stupid job now, but I will listen to the rest when I come home again ! ! !

  18. David LaFlamme had been a soloist for the Salt Lake City Orchestra prior to forming It’s A Beautiful Day with his wife Linda in 1967. There are many orchestral moments in LaFlamme’s torched solo breaks. He played a five string violin and uses the added space to have shitloads of fun. I also really enjoy the plucked strings that they open with.

    Also one of the classic album covers.

  19. Given a full orchestra to play with and a movie to score (Friends), Elton made a fine effort with a wonderful celebration of woodwinds then segues perfectly into a very, very Elton pop nugget that always leaves me yearning for just a bit more.

  20. stings, harpsichord

    Daryl Hall – Dreamtime (1986)

    Baroque ELO-style psychedelia that was WAY out of its era. And a stylistic solo departure for Hall. And a trippy video to match, man.

  21. Jack Nitzsche in the 60′s was a pioneer of using orchestral arrangements in pop music. This is one of the first that I became truly aware of how they can enhance a toon, rather than just play the background to it. It’s ‘Old Friends’ from S & G’s Bookends

    Nitzsche also helped produce Buffalo Springfields’ ‘Expecting to Fly’ and Doris Day’s ‘Move Over Darlin’.

    And how about this, which he penned himself: The Lonely Surfer.

  22. Another track which was among the first to combine rock & roll/pop with strings was this one by Buddy Holly, which was posthumously released.
    The sound was copied by many, most notably John Barry who did the backings on Adam Faith’s early hits such as “What Do You Want”.

  23. great idea for a topic. Lots of noise bands include classical instruments and I’M sure Mnemonic can recommend a good Dirty Three track with some insane violin on it, but I’ll go for something from Noxagt, who are a Norwegian three-piece. They’ve changed now, but on their best album from 2004 they were bass, drums and seriously scraped metal viola:

  24. An original challenge Sakura and I see people are remembering lots of music, this is my conribution

    Celtas Cortos (name of a cheap brand of cigarrettes) was one of the first groups in Spain using the clasical instruments to do their music, a mixture of celtic, pop and rock that was very successful in the 90′s and still active.
    They came from a music class in a high school where they met each other

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